Award-Winning Iranian Director Kiarostami Dies; His Body to Be Returned Home


Award-Winning Iranian Director Kiarostami Dies; His Body to Be Returned Home

TEHRAN (Tasnim) – World-renowned Iranian film director Abbas Kiarostami passed away at the age 76 in a hospital in Paris after months of battling cancer.

Kiarostami had been diagnosed with gastrointestinal cancer in March 2016, and had been undergoing a series of operations.

The award-winning scholar succumbed to a stroke in Paris on Monday, a few days after leaving Tehran.

Late on Monday, Iranian Ambassador to Paris Ali Ahani confirmed the director’s death, saying that Iran’s embassy is taking necessary consular measures to repatriate Kiarostami's body to his homeland.

Kiarostami made more than 40 films in Iran, including documentaries. He won the Palme D'Or, the top prize at Cannes, with his 1997 film Taste of Cherry.

But he shot his last two films outside the country.

Kiarostami was hugely influential in world cinema. The French-Swiss director Jean-Luc Godard is reputed to have said, "Film begins with DW Griffith and ends with Abbas Kiarostami."

He was the only Iranian to ever win the Palme D'Or.

Taste of Cherry was a minimalist film about a man looking for someone to bury him after his suicide. It examined Iranian civic and religious attitudes of the time.

His film Ten was also nominated for a Palme D'Or. Shot on two digital cameras attached to a car, it followed a woman driving around Tehran with various passengers and explored social issues around the role of women.

In 2005 he teamed up with the British director Ken Loach and the Italian filmmaker Ermanno Olmo to make a three-part film called Tickets.

US director Martin Scorsese said Kiarostami was "a very special human being: quiet, elegant, modest, articulate and quite observant. "He was a true gentleman and, truly, one of our great artists.''

The New York cinema magazine The Film Stage tweeted that "the world may have lost its greatest filmmaker".

The British Film Institute tweeted that it was "saddened" at the news, while the Telegraph's film critic Robbie Collin called him a "miracle-worker disguised as a close-up magician".

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